How is the tradition of Western classical music faring on our university campuses? Before answering this question, it is necessary to understand what has transpired with classical music in the wider culture, as the relationship between the two is so strong.
Music in the academy is at risk. The decline in its status, presence, and reach can be traced to the cultural shifts beginning in the 1960s. Western classical music—with its unassailable history of accomplishment and undeniable pedagogical, cultural, and spiritual significance—has fallen prey to the assault on standards and hierarchies embodied by the era’s ethos of: “Hey-hey, ho-ho, Western Civ. has got to go.”
Through his partnership with Eliot Fisk, Beaser has made a major and lasting contribution to the solo guitar repertoire with numerous pieces including “Notes on a Southern Sky.” Placed after the “Concerto,” it might be considered a lengthy encore. The work was one of Beaser’s first to look at folk music, in this case, that of Venezuela.
Five hundred years after the artist’s death, Leonardo da Vinci’s Last Supper has continued to inspire both believers and non-believers alike. The artwork seems to have tapped into in our collective consciousness. How so?
A safe space for the beautiful.
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